After studying dance and choreography I specialized in a more critical investigation of body politics, philosophy of corporal movement, phenomenology, and critical theory. My studies enabled me to pursue a range of artistic mediums such as body art, performances, oration, installations, and mixed-media work.
My current work decentralizes the normative ‘corpus’ and denaturalizes the social body as a site of normalization. My work reflects a critical engagement with interrogating notions of ‘the erotic’ in body politics through a post-humanist subversion of anthropocentrism.
The human body has always been a site of projection and introspection for me. I decided to fathom these relationships along their boundaries and transparencies, by guiding a precise language of movements that makes every fibre of the body visible and creating a presence that surrenders to the gaze.
Today I would say that my artistic research questions the notion of “presence”. What does it mean to be present? I believe it has something to do with consciousness – consciousness of the self and of the environment.
