b. 1973 Minsk, Belarus. Lives and works in Düsseldorf
Maxim Wakultschik uses art as a medium and vehicle to explore the uniqueness of everyday encounters. He invites us to reflect his works in a meditative way. He depicts the concentration of the moment, the look in the eye as a concentrated, essential image. Like a kind of symbol or brand it might be perceived quickly and catchy, memorable and first and foremost continue to have an energetic effect. Mirror reflections, his skillful application of light and shadow and in different nuances shimmering, gleaming colours bring back memories of cult figures to be worshiped.
Wakultschik likes to confuse the beholder with the complexity of his works. He builds up an illusion, pretends a presumed reality and offers another vision at the same time. His works are only completed by the beholder, his interaction and reflection.
Train Windows
Maxim Wakultschik, who studied at the Kunstakademie Düsseldorf, has been taking the eastbound train from Düsseldorf to his home country of Belarus for over eighteen years. The idea for the Train Windows series came to him in 2006 on one of these journeys as he was watching the glowing windows of a train that that stopped at the platform in front of him. The scenes in the individual windows appeared like completed paintings. The poses of the passengers, the ambience, the interplay of light and shadow and the strong, harmonising yellow-green tones reminded the artist of the works by the Old Masters as if they were framed by actual window frames of the train.
The works match the original window size of a Russian night train and have an aluminum frame. The frame is part of the painting as it conveys the suspenseful moment of observation.
The artist wanted to create mysterious windows that can break through the rigid walls offering the view into another space.