Working predominantly with video and installation, I investigate ways to give shape, form and visibility to the primitive and innermost states of the human condition. Like the inner struggles of trying to connect with the deepest and most intimate parts of one’s self, while trying to construct a robust identity. A search for missing aspects of the self that might have been neglected or put aside, in order to live harmoniously in society, but that rather, when denied, grow stronger, infiltrating and expanding under the surface. This inner pursue, filled with contradiction and ambiguity, may not always be pleasant, as one does not know beforehand what he or she might encounter. And yet, it is necessary, for our innermost aspects of the self – our impulses and most primitive desires – also need a space to exist freely, to be rediscovered, and acknowledged, without being neglected, nor feared, but rather integrated back into our personality – as they are our most dominant source of potency, creativity and strength.
In my practice, I seek ways to bring forth and expose these secluded, yet essential aspects of the self, that even though are invisible and impalpable, are very much active in our lives, permeating secretly while awaiting for the slightest chance to arise with its full potential. I work to create spaces of encounter with these unknown aspects within us, our most ambiguous and conflicting sides, trying to give them shape, form and space, to visualize that which we cannot see with our naked eyes. Searching for beauty in the most unexpected of places.
The work emerges through a process of experimentation with the materials, where I investigate their formal qualities thoroughly, in search of their not yet revealed potencies. An interchange, a give-and-take process between myself and what the hidden possibilities of the materials can offer once instigated and manipulated – making a direct link with the mysterious and unknown aspects of the self. Along my practice, having worked with water, food, cotton, paint, glue, milk, beeswax, among others, and currently experimenting with agar and living microorganisms, the body is indeed the invariant component, the constant element connecting all my works. Through a visual, temporal and spatial construction, the work is an invitation for viewers to connect with their most intimate self, and perhaps access neglected inner states within themselves, even if only on a subconscious level.